Whispering Tranquility: Minimalist Seascape by Kim Yeong-Jea

April 3, 2018 (New York, NY) – JanKossen Contemporary is pleased to present Whispering Tranquility, a solo exhibition by South Korean photographer Kim Yeong- Jea. This exhibition will herald JanKossen Contemporary’s new exploration into photography as well as digital media. The show will be on view from April 26 – May 26, 2018 with an opening reception from 6-8pm on April 26.

Unlike Hiroshi Sugimoto who dignifies the sea as an integrate, transcendental being through a distant, primitive eye, Kim Yeong-Jea roams at the interface of evolving humanity and eternal nature. At the age of sixty-seven, Kim left home and traveled over a hundred times on the seventh national highway along the east coast of South Korea. Through the camera, Kim turns the seashore into an intimate shrine where he meditates tranquility by compressing numerous busy, ephemeral life moments into one large format image.

Tides smooth sharp edges of stones; waves crash on reefs. The seashore seems often associated with tension. However, by applying long-exposure technique, Kim Yeong-Jea transforms the dynamic sea waves into airy, pervading flows. Layers of overlapping moments resemble the accumulation of memory, which eventually reach a calm, introspective status. The sea is no longer a powerful, solemn alien indifferent to human beings, but an embodiment of mind. In Kim’s works, the sea became a metaphor of spiritual placidity which gradually emerges out of endless, energetic flows. Every single struggle adds weight and meaning to one’s life and leads the person to approach inner peace.

Kim Yeongjea_Typhoon_2013

Kim Yeong-Jea. Typhoon, 2013. Edition 1/3, photograph on Hahnamühle paper, 91 x 32 inches.

Kim’s seascape is an extending tunnel to a world where one could share the quiet, slow spiritual progress with the artist. The boundary between the sea and sky in Kim’s works is gently blurred and blended through over-exposure. The depth of field is flattened, which brings the primary focus to the repetitive geometric forms of fishery and reefs in the foreground. The subtle variation of lines and blocks triggers lively whispers in the environment, gradually soothing viewers’ mind. As going further to the vanish point, one immerses him or herself into the misty, vast negative space of the flowing sea and empty sky. In this melting, serene visual journey, one may start wondering like Kim Yeong-Jea did before: are our memory and life experience becoming hazy or sublimating into something else like the serene nature?

Kim Yeongjea_Early morming mist 2 2017_20M.jpg

Kim Yeong-Jea. Early Morning Mist 2, 2017. Edition 1/3, photograph on Hahnamühle paper, 52 x 32 inches.

About Kim Yeong-Jea

With thirty-seven-year experience in mastering camera, Kim Yeong-Jea has been experimenting with landscape photography. Kim began his fine art photography practices in the 1990s. His works have been included in major Korean and international exhibitions, such as Jangteo Photo Show at Sejong Center, International Photo Festival in Seoul, South Korea, and the 57th Venice Biennale. Kim is a member of The Photo Artist Society of Korea. He currently lives and works near Seoul, South Korea.

For press inquiries or general information, please contact the gallery office at admin@jankossen.com or call at 631-903-5564.

 

Building Mountains: First Solo Show of Minjung Kim

JanKossen Contemporary is pleased to present Building Mountains, Minjung Kim’s first Solo Show in New York, opening on 2 February, 2017 and on view through 11 March, 2017.

The work of Kim demonstrates her foundation in the traditional Korean calligraphic arts as well as the influence of mid-20th Century abstract expressionism, both of which celebrate the ability to convey energy and spirit through the manipulation of line and practiced spontaneity. Her artworks make use of small torn pieces of HaKimMinjung-Building Forest15_19, 165x130cm,2015.JPGnji, a traditional handmade paper from Korea, as well as ink and paint in a sculptural capacity creating the illusion of dimensionality, geometric form, and architectural minimalism.

Her work explores the expressive potential of pure material. The tone of her work is often at once contemplative and whimsical, ethereal and scientific. It moves onlookers to consider man’s place in nature and our relationships to each other.

She is hesitant to label her work as art — rather she describes her practice as a “discipline of life,” a meditative process which simultaneously requires her to focus her energy and to clear her mind.

Kim obtained her MFA and PhD at Seoul National University. She has been widely exhibited with exhibitions at such prestigious institutions as Danwon Museum of Art, Shangshang Museum of Art, Seoul Art Center, Bunan Museum of Art, Namsong Museum of Art, and Hanwan Museum of Art. She has won countless awards and honors including the 2004 Dong-A Art Prize, 20th Kyungin Great Art Prize, and the 7th Nahyseuk Women Art Prize. She currently lives and works in Korea.